The Underwater Sculpture Gallery in Grenada, West Indies is a project started in May 2006 by sculptor Jason Taylor, with the support of the Grenadian Ministry of Tourism and Culture. This is a unique artistic enterprise, celebrating Caribbean culture and highlighting environmental processes, such as coral reef re-generation.
An underwater gallery creates a whole new perspective on the world. Submerged objects are affected by different conditions both physical and emotional. Objects appear 25% larger and closer, colours are changed as light is absorbed differently by the water. The surface of the sea creates an ever-changing kaleidoscope of light, whilst its turbidity acts as a filter. The aquatic medium affords the viewer a multitude of angles and perspectives and thus transforms the traditional role of passive observer into an active process of discovery and engagement.
The ocean provides a setting imbued with mystery. Observers are invited to appreciate the works of art whilst questioning their circumstances and history. The viewer is immediately committed and involved to the environment and becomes part of the work itself. The sculptures will be an ever changing exhibition as nature colonizes the surface and the sea and tidal movement shapes the texture.
The uniqueness of the setting challenges traditional views of ourselves and our environment, transcending the boundaries separating land and water, and decompartmentalising social preconceptions. The constant flux of the marine environment on the sculptures mirrors the vicissitudes of our own lives.
An underwater gallery creates a whole new perspective on the world. Submerged objects are affected by different conditions both physical and emotional. Objects appear 25% larger and closer, colours are changed as light is absorbed differently by the water. The surface of the sea creates an ever-changing kaleidoscope of light, whilst its turbidity acts as a filter. The aquatic medium affords the viewer a multitude of angles and perspectives and thus transforms the traditional role of passive observer into an active process of discovery and engagement.
The ocean provides a setting imbued with mystery. Observers are invited to appreciate the works of art whilst questioning their circumstances and history. The viewer is immediately committed and involved to the environment and becomes part of the work itself. The sculptures will be an ever changing exhibition as nature colonizes the surface and the sea and tidal movement shapes the texture.
The uniqueness of the setting challenges traditional views of ourselves and our environment, transcending the boundaries separating land and water, and decompartmentalising social preconceptions. The constant flux of the marine environment on the sculptures mirrors the vicissitudes of our own lives.
